# Sacred geometry numbers

One way to have direct contact with the harmonizing effects of the symbols and patterns of Sacred Geometry is through jewelry, rings, pendant, necklaces and earrings. The following are just a few examples of the best Sacred Geometry Jewelry, gold and silver jewels. Geometric Jewelry These are most important shapes of jewels in geometric … Read more. Many cultures see eggs as a symbol of fertility and rebirth. In sacred geometry, it is the second iteration while forming the Flower of Life.

As such, it has about 13 circles. They can … Read more. The Fruits of Life has been described … Read more. Meaning Humanity is divided by millennia of history and mythology. The myths or beliefs of a different sect, tribe or region differ by a mile.

Although people have different beliefs and myths, we are bound by one feature that always appears in every legend — The Tree of Life. Practically, every myth point to … Read more. The Christian scriptures and Jewish Tanakh do not. However, the Talmud mentioned him a few times. Primarily, there was a mention in medieval Jewish text.

As well as … Read more. Its meaning is the unique and universal symbol for creation. The first step of creation begins with Octahedron creation in the context of the Seed of Life. This is followed by spinning the octahedron on its axes, leading to the formation of a sphere.

The … Read more. BIN Files. Older posts. This website uses cookies and personalized ads to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Accept Read More. Necessary Always Enabled.Related Pages. Prehistoric Geodesy. Harmony of the Spheres. Geometric Alignments. The Megalithic yard. Index of Ancient Sites. About Us. A-Z Site Index. Gift Shop. The 'Flower of Life'. Spirals: Form and Function. Geometry and the Megaliths. Celestial Geometry. Labyrinths: A Journey within.

Geodesy World Grid. In search of academic experts who could assist you with geometry homework? Address academic writing company and get professional homework help online. The synchronicity of the universe is determined by certain mathematical constants which express themselves in the form of 'patterns' and 'cycles' in nature.

The outcome of this process can be seen throughout the natural world as the following examples demonstrate:. These displays of mathematical and geometric constants are confirmation that certain proportions are woven into the very fabric of nature.

Recognising the significance of this simple fact offers us the means to understand how and why such matters were considered sacred.In nature, we find patterns, designs and structures from the most minuscule particles, to expressions of life discernible by human eyes, to the greater cosmos.

These inevitably follow geometrical archetypes, which reveal to us the nature of each form and its vibrational resonances.

## Introduction

They are also symbolic of the underlying metaphysical principle of the inseparable relationship of the part to the whole.

It is this principle of oneness underlying all geometry that permeates the architecture of all form in its myriad diversity. This principle of interconnectedness, inseparability and union provides us with a continuous reminder of our relationship to the whole, a blueprint for the mind to the sacred foundation of all things created.

Starting with what may be the simplest and most perfect of forms, the sphere is an ultimate expression of unity, completeness, and integrity.

There is no point of view given greater or lesser importance, and all points on the surface are equally accessible and regarded by the center from which all originate. Atoms, cells, seeds, planets, and globular star systems all echo the spherical paradigm of total inclusion, acceptance, simultaneous potential and fruition, the macrocosm and microcosm.

The circle is a two-dimensional shadow of the sphere which is regarded throughout cultural history as an icon of the ineffable oneness; the indivisible fulfillment of the Universe. All other symbols and geometries reflect various aspects of the profound and consummate perfection of the circle, sphere and other higher dimensional forms of these we might imagine. The ratio of the circumference of a circle to its diameter, Pi, is the original transcendental and irrational number.

Pi equals about 3. Our holistic perspectives, feelings and intuitions encompass the finite elements of the ideas that are within them, yet have a greater wisdom than can be expressed by those ideas alone. At the center of a circle or a sphere is always an infinitesimal point.

The point needs no dimension, yet embraces all dimension. Transcendence of the illusions of time and space result in the point of here and now, our most primal light of consciousness. Life itself as we know it is inextricably interwoven with geometric forms, from the angles of atomic bonds in the molecules of the amino acids, to the helical spirals of DNA, to the spherical prototype of the cell, to the first few cells of an organism which assume vesical, tetrahedral, and star double tetrahedral forms prior to the diversification of tissues for different physiological functions.

Our human bodies on this planet all developed with a common geometric progression from one to two to four to eight primal cells and beyond. Almost everywhere we look, the mineral intelligence embodied within crystalline structures follows a geometry unfaltering in its exactitude. The lattice patterns of crystals all express the principles of mathematical perfection and repetition of a fundamental essence, each with a characteristic spectrum of resonances defined by the angles, lengths and relational orientations of its atomic components.Most of us tend to think of geometry as a relatively dry, if not altogether boring, subject remembered from our Middle school years, consisting of endless axioms, definitions, postulates and proofs, hearkening back, in fact, to the methodology of Euclids Elementsin form and structure a masterly exposition of logical thinking and mental training but not the most thrilling read one might undertake in their leisure time.

While the modern, academic approach to the study of geometry sees it as the very embodiment of rationalism and left brain, intellectual processes, which indeed it is, it has neglected the right brain, intuitive, artistic dimension of the subject. Sacred geometry seeks to unite and synthesize these two dynamic and complementary aspects of geometry into an integrated whole. Robert Lawlor addresses this fundamentally dualistic nature of geometry in his essential work: Sacred Geometry — Philosophy and Practicein reference to a medieval representation of geometry as a woman seated at a table, with compasses in hand, surrounded by the implements of the art:.

But when these geometric laws come to be applied in the technology of daily life they are represented by the rational, masculine principle: contemplative geometry is transformed into practical geometry. Lawlor here expresses a crucial idea in the definition of Sacred Geometry—it has both a contemplative side and a practical side, and an intuitive and intellectual side, it is an activity both right brained and left brained.

This difference, I think, is succinctly expressed by Miranda Lundy in her superb little book entitled simply Sacred Geometry It differs from mundane geometry purely in the sense that the moves and concepts involved are regarded as having symbolic value, and thus, like good music, facilitate the evolution of the soul.

Sacred Geometry, then, charts the unfolding of number in space and has symbolic value and thereby has conferred upon it a qualitative ed pills status absent from common geometry. And here I must add that magnifying the inherent power of Sacred Geometry is the fact that it also charts the unfolding of number in time.

This is an idea of such compelling ramifications that I must return to it in detail in another article. At the very earliest appearance of human civilization we observe the presence and importance of geometry. It is clearly evident that geometry was comprehended and utilized by the ancient Master Builders, who, laboring at the dawn of civilization some four and one half millennia ago, bestowed upon the world such masterworks as the megalithic structures of ancient Europe, the Pyramids and temples of Pharaonic Egypt and the stepped Ziggurats of Sumeria.

That geometry continued to be employed throughout the centuries from those earliest times until times historically recent is also clearly evident. That it was made use of by cultures far-flung about the globe is evident as well, finding expression in China, Central and South America, in pre-Columbian North America amongst Native Americans, in Africa, SE Asia and Indonesia, Rome and of course in classical Greece and in Europe, from the Megalithic era some years ago, as stated, and again some years later, magnificently expressed during the Gothic era of cathedral building.

Previous Next. Geometry is especially associated with Classical Greece and such illustrious figures as PythagorasPlato and Euclidwho wrote the first actual textbook on the subject, the aforementioned Elements. Geometry has also been held in particular reverence and high esteem by the ancient order of Freemasons, which, of course, hearkens back to the great Cathedral Building era of the 12th through the 14th centuries, from whom modern Masons derive their pedigree.

From the foregoing is should be obvious that geometry was, and is, closely associated with Architecture, that great manuscript of the human race, which provided the first and primary vehicle for the human employment of geometry.

That it is closely associated with Art, Music and Handicraft is obvious as well to the student of the history of these subjects. Ultimately, it must be appreciated that it was apparent to archaic peoples, as it is becoming increasingly apparent to contemporary students of the subject, that geometry is intrinsic to the very order of Nature itself, both biological and cosmic, and, now, thanks to scientific inquiry, the realization dawns that geometry lies at the basis of the molecular and atomic levels of creation.

More on that compelling idea later. We are here introduced to a another fundamental idea lying at the heart of Sacred Geometry,— that it provided the means by which God, as the Great Architect of the Universe, was able to frame the template of Creation. Freemasons, Hermeticists and Initiates into the Mysteries have for centuries held the conception of the Universe as the material expression of a hidden reality, an invisible blueprint, set down by the hand of the Grand Geometrician, and to which the study of Geometry provided the key and the means to render visible that which is concealed from the undiscerning and untrained eye, and that these fundamental geometric relations, manifested through form, pattern and number, form the very basis of harmony.

The idea, vision rather, of God as a Great Architect and Geometrician has found expression through numerous sources throughout the ages.

## The link between Sacred Geometry and Numerology

The great Christian theologian St. Augustine, who held both Pythagoras and Plato in high regard, grasped the significance of geometric form, pattern and proportion, and their representation through numerical symbolism, when he stated:. Here in the Keplerian view Geometry is clearly envisioned as existing upon an archetypal level, prior to the manifestation of material creation, and serving as the model utilized by the Great Architect.

Through the study and practice of Sacred Geometry this invisible geometric matrix begins to reveal itself as the template upon which the material universe, expressed through space and time, has been framed by the hand of the Great Architect. They are organized by the geometry of figures, all related to one another according to a sublime order, into dynamic symmetry.

Glimpses into this magnificent kingdom form the basis of all our knowledge and it seems that in this domain the ancient civilizations had gone further than modern science. For now let it be said that dynamic symmetry describes a way of dividing space such that there is a specific relationship between the parts of a spatial composition and the whole of that composition, a specific relationship that can be expressed by certain constants of proportionality, as for example, the square root of two, or the square root of three, the Phi ratio, and so forth.

Stated simply, dynamic symmetry is the idea of dividing space such that the proportions of the whole are found in the parts.Sacred geometry ascribes symbolic and sacred meanings to certain geometric shapes and certain geometric proportions.

The geometry used in the design and construction of religious structures such as churchestemplesmosquesreligious monumentsaltarsand tabernacles has sometimes been considered sacred. The concept applies also to sacred spaces such as temenoisacred grovesvillage greensand holy wellsand the creation of religious art. The belief that a god created the universe according to a geometric plan has ancient origins. Plutarch attributed the belief to Platowriting that "Plato said God geometrizes continually" Convivialium disputationumliber 8,2.

In modern times, the mathematician Carl Friedrich Gauss adapted this quote, saying "God arithmetizes". As late as Johannes Kepler —a belief in the geometric underpinnings of the cosmos persisted among some scientists. According to Stephen Skinnerthe study of sacred geometry has its roots in the study of nature, and the mathematical principles at work therein.

Also, honeybees construct hexagonal cells to hold their honey. These and other correspondences are sometimes interpreted in terms of sacred geometry and considered to be further proof of the natural significance of geometric forms.

Geometric ratios, and geometric figures were often employed in the designs of ancient Egyptianancient Indian, Greek and Roman architecture. Medieval European cathedrals also incorporated symbolic geometry. Indian and Himalayan spiritual communities often constructed temples and fortifications on design plans of mandala and yantra.

Many of the sacred geometry principles of the human body and of ancient architecture were compiled into the Vitruvian Man drawing by Leonardo da Vinci. The latter drawing was itself based on the much older writings of the Roman architect Vitruvius.

Islamic geometric patterns are well known too, which are used in the Qu'ran, Mosques and even in the calligraphies of personal names. The Agamas are a collection of Sanskrit, [5] Tamil, and Grantha [6] scriptures chiefly constituting the methods of temple construction and creation of idols, worship means of deities, philosophical doctrines, meditative practices, attainment of sixfold desires, and four kinds of yoga.

Elaborate rules are laid out in the Agamas for Shilpa the art of sculpture describing the quality requirements of such matters as the places where temples are to be built, the kinds of image to be installed, the materials from which they are to be made, their dimensions, proportions, air circulation, and lighting in the temple complex. The Manasara and Silpasara are works that deal with these rules. The rituals of daily worship at the temple also follow rules laid out in the Agamas.

The construction of Medieval European cathedrals was often based on geometries intended to make the viewer see the world through mathematics, and through this understanding, gain a better understanding of the divine. At the beginning of the Renaissance in Europe, views shifted to favor simple and regular geometries. The circle in particular became a central and symbolic shape for the base of buildings, as it represented the perfection of nature and the centrality of man's place in the universe.

Stephen Skinner discusses the tendency of some writers to place a geometric diagram over virtually any image of a natural object or human created structure, find some lines intersecting the image and declare it based on sacred geometry.But there is another phenomenon which is closely linked to Sacred Geometry; Numerology. But what is numerology? In short, it is the study of the relationship between numbers and the Universe.

Numbers have been used by many, many ancient civilizations all over the Universe. Some people will disagree with that, I know. And one man in particular, Nikola Tesla. Nikola Tesla understood this relationship between numbers and the universe very well.

He knew that the entire universe is built upon frequency and vibration. So he gave us a few very important clues, or keys, to understand the Universe like he did. If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe. If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.

All energies have a certain frequency, a vibration, a dance. Which can be expressed through numbers and sacred geometry. We therefore believe, that sacred geometry and numerology are the building blocks of our Universe and realities. The digital root is a simple mathematical equation that is often used in numerology.

Basically it is reducing a number to the smallest number possible by adding each number to each other. Take the number 12 for example. If we take number And the last example: the number So why is the digital root so important? Because it will reveal hidden patterns in numbers this way. Leonardo da Vinci once said: Learn how to see. Realize that everything connects to everything else.

Patterns are not always visible with the naked eye. So what has sacred geometry to do with this? Their link is more intimate then you might think. But nature is following at least two numerical patterns. Those numerical patterns are expressed through sacred geometry. The Fibonacci sequence works this way: every number, after the first two is the sum of the two preceding ones. Sounds difficult right? It starts with 1, the previous number is in this case 0. So what is nature doing with this sequence?

### Sacred geometry

Magical stuff, and I will show you how. Back to Nikola Tesla. What did he mean with the magnificence of these three numbers? What did he try to tell us? The binary sequence is a pattern that all life forms follow, through cell division. But also the pattern that computers follow.Geomancers are interested in sacred geometry because it has been found that certain spaces, with particular ratios, enable the participant to resonate or vibrate at the appropriate rate that maximizes the possibility of connection to the One.

A violin ain't built out of a cigar box! These same principles are applied to sacred spaces to maximize the possibility that whatever is being done there on spiritual levels will succeed. I've been a student of sacred geometry for over thirty years. While there has been recent interest in three-dimensional sacred geometry based on the Platonic Solids and in sacred sites themselves, most sacred geometrical documents I've read talk in only two dimensions - height and width.

Two is closer to the One than three is. It's less complex.

**Indian Flute Music + Sacred Geometry -- INCREDIBLY CALM MEDITATION MUSIC**

I think one of the biggest mistakes Western geomancers have made was to take something that is very simple and make it much more complex. The Chartres Labyrinth strikes me as being an example of this.

This stuff is simple. Three-dimensional sacred geometry just builds on this basic handful. One aspect of Sacred Geometry is that it uses both rational and irrational numbers. To go to the spiritual, one must go beyond the rational, and it appears that some of these ratios and numbers can lead us there.

By being inside a sacred space that has been constructed using one of a handful of these sacred geometrical ratios, the resonance that has been set up can enhance the possibility of your making the spiritual connection you want to make.

So, what are these irrational numbers? Thanks to Forrest Cahoon for his help with the following mathematical definitions. Let's begin with the rational. All numbers which, when represented in decimal notation, either stop after a finite number of digits or fall into a repeating pattern, are rational numbers.

An irrational number is one that cannot be represented as a ratio of any two whole-number integers, and consequently it does not fall into a repeating pattern of any sort when written in decimal notation.

### Sacred Geometry

All of the Sacred Geometry ratios we will be working with, the square roots of two 1. There are certain kinds of irrational numbers that are called transcendental numbers. Just like irrational numbers, they are defined by what they are not they aren't rational numbersyet transcendental numbers are so identified because they are not another sort of number. Any number which is a solution to a polynomial equation is an algebraic number. A polynomial equation is a sum of one or more terms involving the same variable raised to various powers, for example:.

Any x for which any such equation is true is an algebraic number. Because the square root of two is a solution to the polynomial equation. A transcendental number requires an infinite number of terms to be defined exactly.

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